SYNOPSIS

The curtain of salmon colored roses and heavy gold fringing which covers the stage is pulled back to reveal a Pina Bausch spectacle, Café Müller. Among the spectators, two men are sitting together by chance. They don't know each other. They are Benigno (a young nurse) and Marco (a writer in his early forties). On the stage, filled with wooden chairs and tables, two women, their eyes closed and their arms extended, are moving to the music of The Fairy Queen, by Henry Purcell. The piece is so moving that Marco starts to cry. Benigno can see the gleam of his chance companion's tears, in the darkness of the stalls. He'd like to tell him that he too is moved by the spectacle but he doesn't dare.

Months later, the two men meet again at "El Bosque", a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student.

When Marco walks by the door of Alicia's room, Benigno doesn't think twice before speaking to him. It's the start of an intense friendship... as lineal as a roller coaster. During this period of suspended time between the walls of the clinic, the lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny.

Talk To Her is a story about the friendship between two men, about loneliness and the long convalescence of the wounds provoked by passion. It is also a film about incommunication between couples, and about communication. About cinema as a subject of conversation. About how monologues before a silent person can be an effective form of dialogue. About silence as "eloquence of the body", about film as an ideal vehicle in relationships between people, about how a film told in words can bring time to a standstill and install itself in the lives of the person telling it and the person listening.
Talk To Her is a film about the joy of narration and about words as a weapon against solitude, disease, death and madness. It is also a film about madness, about a type of madness so close to tenderness and common sense that it does not diverge from normality.
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