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ILLUSTRIOUS SUPPORTING ACTORS
Geraldine Chaplin has
been one of the great discoveries of this shoot. When
I saw her in Nashville (Robert Altman) I already sensed
that she was an actress for me. I adore her accent,
a mixture of multiple accents, and her personality,
lovable, simple, funny and diverse. Although they may
seem very different, she's in the same line as Chus
Lampreave, that kind of actress and woman who
is made up of innocence, lack of prejudices, a natural
goodness (which makes them very daring because they
think that everyone is the same and so they are unaware
of danger) and a delightful sense of humor. Both Chus
and Geraldine can play any role, no matter how flamboyant
and outrageous it may be, and they always seem natural,
believable and affectionate even when they're playing
unpleasant characters.
I've got a comedy pending with Geraldine. And another
with Mariola Fuentes
(a future Carmen Maura if she's given the opportunity).
From the start I was convinced that no matter how small
the parts were, they would be played by professional
actors. For me all the phrases are important and all
the actions. The fact that Loles
León, Chus Lampreave, José
Sancho, Mariola Fuentes, Helio
Pedregal, Fele Martinez,
Ana Fernández,
Juan Fernández, Adolfo
Fernández and Roberto
Álvarez, for example, undertook to play
such small roles (as well as showing a solidarity for
which I thank them with all my heart) fills out the
characters, prevents them from being diffused and gives
them greater significance.
Among other novelties, the cast of Talk To Her, with
the exception of Chus, Loles, Sancho and Mariola, is
made up of actors with whom I've never worked. The four
leading actors are new for me and most of the supporting
actors too. And the experience has been very stimulating.
I very much liked working with the new life blood of
Spanish cinema, marvelous young actresses who have taken
possession of the present and the future: Paz
Vega, Elena Anaya,
Mariola Fuentes, Carmen Machi,
Ana Fernández, Beatriz
Santiago, Lola Dueñas.
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