| Almodovar, Pedro.
Current Biography v51, n9 (Sept, 1990).
Ansen, David.

| "The Man of La Mancha; a taboo-smashing director revels in the new Spain."
Newsweek v112, n23 (Dec 5, 1988).

| Bayon, Miguel.
"A Winner from Spain."
World Press Review v36, n4 (April, 1989).

| Butler, Kristine J.
"Mass-Produced Realities: A Reading of Pedro Almodovar's Kika."
Tropos, vol. 21. 1995 Spring. pp: 59-71.

| Cabrera Infante, Guillermo.
"El Indiscreto Secreto de Pedro Almodovar."
Suplemento Literario La Nacion (Buenos Aires). 1995 Dec 10. pp: 1-2.

| Cardullo, Bert.
"Lovers and Other Strangers."
Hudson Review v43, n4 (Wntr, 1991):645 (9 pages).

| "Cocoon."(Pedro Almodovar and the subdued 1990s)
New Yorker v68, n33 (Oct 5, 1992):59 (2 pages).

| Corliss, Richard.
"Pedro on the Verge of a Nervy Breakthrough"; Almodovar hits it big with his steamy melodramas.
Time v133, n5 (Jan 30, 1989):68 (2 pages).

| D'Lugo, Marvin.
"Almodovar's City of Desire."
Quarterly Review of Film and Video v13, n4 (Dec, 1991):47 (19 pages).

| Deleyto, Celestino.
"Postmodernism and Parody in Pedro Almodovar's Mujeres al Borde de un Ataque de Nervios (1988)."
Forum for Modern Language Studies , vol. 31 no. 1. 1995 Jan.

| Dieckmann, Katherine.
"Obscure Objects of Desire: The Films of Pedro Almodovar."
Aperture, n121 (Fall, 1990).

| Douchet J.
"Pedro Almodovar - For The Love Of Cinema."
Cahiers Du Cinema, 1990 Sep

| Elgrably, Jordan.
"Anti-macho Man."
Los Angeles Times v111 (Sun, Jan 19, 1992)

| Evans, Peter.
"Almodovar's Matador: Genre, Subjectivity, and Desire."
Bulletin of Hispanic Studies, vol. 70 no. 3. 1993 July. pp: 325-35.

| Gutierrez, Maria Elena.
"Jouissance, Drugs, Fashion, and Chaos: The Postmodern Aesthetics of Almodovar." Constructions, vol. 7. 1992. pp: 90-94.

| Hanson, Ellis.
"Technology, Paranoia and the Queer Voice."
Screen, vol. 34 no. 2. 1993 Summer. pp: 137-61.

| Hart, Patricia.
"Can a Feminist Sit through Kika? Rape, Recovery, and Submission Fantasies in the Film of Almodovar."
Anuario de Cine y Literatura en Español, vol. 3 no. -. 1997. pp: 73-88.

| Holland, Jonathan.
"Pedro Reigns in Spain: Almodovar Still Considered an Icon."
Variety v370, n10 (April 20, 1998):39 (2 pages).

| Imparato E; and Pedro Almodovar
"Conversation With Pedro Almodovar."
Cineforum, 1992 Apr, V32 N4:75-76.

| KrugerRobbins, J.
" Poetry and Film in Postmodern Spain: The Case of Pedro Almodovar and Ana Rossetti."
Anales De La Literatura Española Contemporánea , 1997, v22 n1-2:165-179.

| Leavitt, David.
"Almodovar on the Verge."
New York Times Magazine v139 (Sun, April 22, 1990)
Marias M.

| "Intimidad y espectaculo en Pedro Almodovar".
Revista De Occidente, 1995 Dec, N175:108-124.
Maslin, Janet.

| "Dark Visions Light Up the Movies." (modern films noirs)
New York Times v139, sec2 (Sun, Jan 28, 1990):H1(N), H1(L), col 3, 33 col in.
Menard, Valerie.

| "El Conquistador del Cine: Provocative Filmmaker Pedro Almodovar Explores the Human Experience."
Hispanic v11, n5 (May, 1998):32 (2 pages).

| Morgan, Rikki.
"Dress to Kill."
Sight and Sound v1, n12 (April, 1992):28 (2 pages).

| Nandorfy, Martha J.
"Tie Me Up! Tie Me Down!: Subverting the Glazed Gaze of American Melodrama and Film Theory."
Cineaction,vol. 31. 1993 Spring-Summer. PAGES: 50-61.

| O'Toole, Lawrence.
"Almodovar in Bondage."
Sight and Sound v59, n4 (Autumn, 1990):270 (4 pages).

| Pitt, David E.
"Films Reflect a Brash New Spain." (Spanish movie makers and their films)
New York Times v138, sec2 (Sun, Sept 18, 1988):H1(N), H1(L), col 2, 50 col in.

| Pully, Marcia.
"Camp Pedro."
Film Comment v24, n (Nov-Dec, 1988):18 (2 pages).

| "The Politics Of Passion - Pedro Almodovar and The Camp Esthetic (A Bio-Interview)
Cineaste, 1990, V18 N1:32+.

| Reynaud, Berenice.
"Pedro Almodovar."
American Film v13, n5 (March, 1988):72.

| Riding, Alan.
"Almodovar Takes the Pulse of Spain in Transition."
New York Times v139, sec2 (Sun, Feb 11, 1990):H15(N), H15(L), col 3, 36

| Russo, Vito.
"Man of La Mania."
Film Comment v24, n6 (Nov-Dec, 1988):13 (5 pages).

| Silverthorne, Jeanne.
"Onwards & Sideways: The Films of Pedro Almodovar."
Artforum v28, n7 (March, 1990):146 (5 pages).

| Smith, Paul Julian.
"Future Chic - The Transgressive Style Of 'Kika', The New Feature By Pedro Almodovar."
Sight And Sound, 1994 Jan, V4 N1:6-10.

| Smith, Paul Julian.
"Pedro Almodovar" (Filmography)
Sight And Sound, 1996 Feb, v6 Nn2:26-26

| Smith, Paul Julian.
"Almodovar and the Tin Can." (Interview)
Sight and Sound v6, n2 (Feb, 1996):24 (3 pages).

| Spindler, Amy M.
"Dressed to Thrill"; in Pedro Almodovar's films, fashion sparks the passion.
New York Times v143 (Sun, March 13, 1994):V1(L), col 2, 30 col in.
Triana Toribio, Nuria.

| "Almodovar Melodramatic Mise-En-Scene, Madrid As A Setting For Melodrama."
Bulletin Of Hispanic Studies, 1996 Apr, v73 n2:179-189.

| Willem, Linda M.
"Almodovar on the verge of Cocteau's La Voix Humaine." Literature-Film Quarterly v26, n2 (April, 1998):142 (6 pages).

| Williams, Bruce.
"Slippery When Wet: En-Sexualized Transgression in the Films of Pedro Almodovar."
Post Script: Essays in Film and the Humanities, vol. 14 no. 3. 1995 Summer. pp: 3-13.

| Yarza, Alejandro.
"Un Canibal en Madrid: El Altar y la Estetica Kitsch/Camp en Entre tinieblas de Pedro Almodovar."
RLA: Romance Languages Annual, vol. 6. 1994. pp: 624-32.

| Young, Tracy.
"Almodovar!! Who Inspires Spain's X-rated Director? Doris Day, for One."
Vogue v180, n6 (June, 1990):124 (2 pages).