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My suggestions, as I prepare the movie:
Playing on the background:
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KREIDLER. The album is called WONDER,
and it's a perfect background for any activity. Instrumental,
it's got rhythm, it's not lounge, nor Latin. I don't
mean it's cold, just distant, like a cat.
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| ST. GERMAIN, TOURIST.
The first track, "Roce Rouge". You won't
get tired of playing it. It's definitely this winter's
song. You'll end up hating it after so much hearing. |
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69 LOVE SONGS. THE MAGNETIC
FIELDS.
Incredible. Beautiful songs, all different and all good.
I don't know where they come from but they're essential
-if one wants to break the silence. |
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BOOKS
I listen to the albums I've just recommended as I edit the
screenplay or go away looking for exteriors. I don't have
much time left to read, but I'm unfortunately sleepless; I
have problems disconnecting from everything filling my head.
So I get to read, even though your capacity for concentration
drops dramatically when you're preparing a film. Let me give
you the list of books I take with me; good companions indeed
(no matter your sex or social status).
| "SECRETS" by Naruddin
Farah. Rushdie says about him that he's the best African
writer. I've just begun with it and his is the kind of
prose you really enjoy. A must. |
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"DIAS DE LLAMAS" by Juan Iturralde.
Our war described in time with its wounds. Fair and
necessary recovery of an author we've been deprived
of. Thanks to Antonio Muñoz Molina for
his suggestion.
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I'm feeling rather classical, but I just think Clarin
is to be kept near your bedside table. Alfaguara has
just released an anthology of his stories; one of them
("Doña Berta") has been my delight
for years. Some day I'll finally take it to cinema.
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For the more modern: Bruce Chatwin's biography. I
haven't read it yet, but it's already on my bedside table.
I read another one long ago, I can't remember the author,
and even though I didn't like it I found great potential in
the character. A sort of devilish/angelic boy (like an non-swollen
Capote) everyone wanted to fuck but who turned as attractive
as slippery. It's his life that matters, that's why his best
book could be his autobiography. I'm not being fair with him
because he actually did things and wrote books, apart from
travelling restlessly and having an exquisite taste. We have
something in common: Betarice Monti della Corte, a
literary maecenas who invited me to her retreat, Santa
Maddalena Foundation in Tuscany, one of Chatwin's
favorite places for writing. Beatrice was the one behind the
report on Bruce Weber just published in the Vanity
Fair February issue. I'm so bashful I haven't read it
yet. It's about my life, and I already now that story.
Pedro Almodovar
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