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Screenplay: Pedro Almodóvar in collaboration with Jorge Guerricaechevarría and Ray Loriga. Based on a novel by Ruth Rendell.
Executive Producer: Agustín Almodóvar.
Production Manageress: Esther García.
Music: Alberto Iglesias.
Other Music: J. Del Valle, G. Ladrón de Guevara y A. Algeró ("Ay mi perro"), J. M. Fonollosa, A. Plá ("Sufre como yo" int. A.Plá), Mario Cavagnaro Llerena ("El rosario de mi madre" int. El Duquende), Simon Emmerson & Davey Spillane ("Whirl - y- reel 2" int. Afro Celt Sound System), Mario Clavell ("Somos" int. Chavela Vargas).
Director of Photography: Affonso Beato.
Editor: José Salcedo.
Casting (Uranda Films): Katrina Bayonas.
First Assistant Director: Pedro Lazaga.
Second Assistant Director: Ana Muñoz, Álvaro de Armiñan.
Script: Marisa Ibarra.
Auxiliar de Direción: Covadonga Gamboa.
Assistant to Pedro Almodóvar: Lola García, Pedro Paz.
Production Controller: Alejandro Vázquez.
Production Assistants: Toni Novella, PilarPérez.
Assistant to the Producer: Michel Ruben.
Production Assistants: Nicolás Tapia, Seguio Díaz.
Administration: Óscar Valero.
Press: Paz Sufrategui.
Press for Europe: Simona Benzakeim.
2nd Operator: Julio Madurga.
2nd Cameraman: Juan Benet.
Assistant Cameraman: David Carretero.
Still Photographer: Daniel Martínez.
Video Technician: Jacobo Escamilla.
Assistant Editor: Rosa Ortiz, Manolo Laguna.
Boom Man: María del Mar González.
Assistant Decorator: Agustí Camps. Ion Arreche.
Set Designer: Felipe de Paco.
Assistant Set Designer: Federico G. Cambero.
Auditor: Imanol Echeverría, Belén Bernuy, Carola Angulo.
Atrezzo: Juan Ignacio Viñuales, Juan Vicente Riuve, José Altit, Gonzalo Anso.
Assistant Costumer: Alejandro Van Rooy.
Tailor: Eva Salas.
Makeup assistant: Patricia Rodríguez:
Gaffer: Francesc Brualla.
Key Grip: Enrique Bello.
Dolly Grip: Carlos Miguel.
Best Boy: Rafael Castro, Fernando Beltrán, Enrique Pérez, Eugenio Martínez, Ángel Gómez, Alberto Arnal, Luis Hidalgo.
Making Of: Francisco Javier Roa.
Making Off Assistant: Cristina Rodríguez.
Administration: Ana Sanz, Adela Donamaría, Beatriz Gordo, Rosa María Serrano.
Casting Assistant (Kuranda Films): Natalia Lukic.
Casting Assistant (Kuranda Films): Isabel Martínez.
Direction Trainee: Luisfer Machi.
Camera Trainee: Águeda Balogh, Ignacio Charrabe.
Sound Trainees: Pablo Bueno, Sergio Corral..
Decoration Trainee: María Pilar Castellano.
Production Controller France: Aude Girard.
Graphic Designer and Titles: Stvdio Gatti.
Music Production: Alberto Iglesias, Lucio Godoy.
Music Mixing, recording and dubbing: Cinearte.
Sound Mixing: J. A. Bermúdez
Room Effects: Luis Castro.
Sound Transcriptions: Antonio Illán.
Set Constructor: Enrique García.
Stunts: 2001.
Studio: Madrid Film.
Chief Technician: Alfonso Aguirre.
Cutting: Felisa Catalinas.
Cameras: Camara Rent.
Electric Material: Cinetel.
Grip: Cinegrip.
Transportation: Megino.
Costumes: Cornejo.
Atrezzo: Vázquez Hermanos.
Special Effects: Molina.
Upholstery: Emilio Ardura.
Video Editing and Post-production: Molinare.
Visual Effects and End Titles: Story Film.
Wigs: Viuda de Ruiz.
Legal: Legiscine.
Legal Advisor: Coprisa.
French Translation: Dalila García.
Drivers: Miguel Ángel López, Bernardino Villanueva, Julián Hernández, Carmelo Morón, Agustín Ruiz, Juan Luis Grande Javier Sánchez, Ángel Frutos.
Soundtrack Orchestra: Orquesta Banda Sinfónica de Madrid.
Director of Orchestra: Tomás Garrido.
Music recording: Antonio Olariaga Y Raquel Fernández.
Music mixing: José Luis Crespo.